Where Innocence Intersects

roses on tracks

Memory,

the planted seeds of future work.

Those moments of mystery and violence

seared into childhood innocence.

In the rows of cross country cornfields

intersecting on the empty plains of thought.

You’re the point of entry

for these stalks on all sides,

until growing overhead,

you were not able to process it yet.

When what housed creativity

was merely a foundation,

fear is the forgotten masonry

that builds fascination.

Mystery,

those luminous garments

you’ll salvage from dark closets

to give form to again.

At Dungeon rock you keep digging,

finding only madness and subterranean water,

not realizing where the gold resides,

on the tips of the trees that line Cornel path.

 

Violence always had it’s place on the knife’s edge of time.

In old Kung Fu films and in the technicolored gaze

of Medusa’s severed head,

you were transfixed to the red

that emblazoned the cars of elevated trains.

From the Bronx to Coney Island

your imagination placed supreme significance

in the division of neighborhoods into gang turf,

written dimensions on a prized and ripped map.

By middle school a fear and fascination with death

found you staring out the windows

at long black hearses

ushering in St. Pius funerals.

There was no longer the safety of naivete,

friends lost parents, people got cancer,

a heart attack took Nonna

and the small panic you’ll always remember,

phone calls that announce a stranger

penetrating that tiny world.

All these recollections

sticking like mud at low tide.

Osgood eyes wet, keen on distant birds,

deciphered as spirit in the wavering trees

and in the dreamscape of the sky.

The ocean always returns to childhood

in the scent of salt marsh,

it marches back in time

to the music tangled in the cellar wires,

memories in the decay of seaweed at Derby Wharf

where all the layers overlap and you can read

the barnacled marks when it recedes.

Out from under the shadow’s thumbprint,

you’re the exposed rock of Chocorua awaiting a storm,

you’re Waterman seeking a nook on Lafayette Ridge,

Brailsford on a weighted line in Cormorant shade,

Cochran still unsolved in the fog of Swampscott.

What breaks the silence?

What moves the instrument and goes beyond science ?

Was it violence creeping in the telepathic underground?

Tripping the wires to access

the haunted tape loop of the mind?

The sudden screetch of trolley cars

collides with Garbarek’s sublime choir,

as if the bloodied petals off of Pulcherrima’s rose

were left scattered on the tracks.

You were there at the intersection

watching the passing of the rails,

standing over these remains

to note the juxtaposition

that holds unspoken significance

to what you have yet to transform into words.

 

 

 

 

Advertisements

Thoughts that Wander Dark (shaking hands at the end)

a8d21c1f-b192-4ea9-b3ff-e989a7f5c524shad fgI know these thoughts that wander dark .

While traveling we coalesced briefly,

as strangers when neither offered shelter,

out beyond the city lights,lying in forests

almost too quiet to be pacified.

Back East, where the Atlantic is brewing storms,

darkened they would form from the subconscious,

until  breaking over Montauk,

memory grows full of the sound

of wave grain scraping pebbles,

descending, with salty skin,

smooth as seal wash,

like shipwrecks to subterranean sand,

it is never solid ground on which we stand.

A weeping, for all of us sinking.

Thoughts going abruptly dark,  drowning

like sailors with no one’s mourning to lift them,

only loosened garments , black and torn,

strewn across the sky like an aborted skin.

It takes the form of storm clouds and bellowing wind

to shake widow’s peaks and usher in

a spray of gulls, deranged and white,

with cries like a piercing reprise.

In the dunes a string of flowers endures,

while burning forests of evergreen

cast down the safety screen,

thrusting us once more into tenuous positioning.

The horror inherent in a charred landscape,

the specter of cancer haunting our mutated shapes,

we’re absorbing the next tragedy through the TV,

breathing deeply the Autumn scent of gunpowder and spotfire.

Out beyond the reflection of light on the surface of the sea,

gasoline ignites  from underneath,

so you get to know the inverse as well,

for the source of words can transform wounds to beauty,

like streaks of light that adorn the sky,

a holiday to the eye though it temporarily blinds

into forgetting that we all must one day die.

The body cannot sustain this creativity.

At it’s peak, it used these techniques

to attempt immortality.

High upon the mountain, it gains traction on the stars.

Till far below it sings odes to the river that washes out to sea.

Down the road you migrate through the mirage in a distant bend,

calling to the future like an estranged friend,

shaking the hand of what comes to meet you,

once again putting aside the folly

of aimlessly grasping at the illusion of permanence

amidst the totality of an eventual end.

 

 

 

 

 

 

The Returning

0697a0f2f95f20d65d8b363ca237dcfa--the-lizard-chiaroscuro

The moon, held suspended on a cloud

like a jewel in an outstretched palm

that clenched its fist

over a creative instrument

that prisms the light to beam through the sky.

From this vantage,

see the night thaw into a fleeting image

of my own willingness

to let the past be prologue

and memory become notes in a ship’s log

bound for East Point

painted on the horizon

like a raised birthmark over a darkened skin,

it’s set in its own isolation.

Through the El Greco sky of the mind,

unsteady in the swirl of shade and light,

poles teeter on the edge of each other ,

delicately dancing in the glow.

Where it beckons you’ll follow,

tracing lines to their inevitable ends,

leaving a progeny of words

strung against words

like a procession of lanterns

engulfed by waves

extinguished candles of breath

that craved oxygen,

building up only to give in to collapse.

All the thoughts and differing shades of meaning

shifting the gleam to tide pools cascading

from an overarching theme,

where everything is passing through.

For a moment the moon holds true,

weightless and suspended in a bubble of foam.

A perfect circle, timeless, eternal,

always returning home.

Leaving by Moonlight

b49cd646ea5aea4b9ba229ecfb3adb60Permeating the imaginary borders they were constructing

temples to the external

while the journey was inward

instructing shadows to move, immaterial

without the physical to complete the eternal.

The eye that watches us all is a stranded moon

pale and blood drained

like a weightless stone it remains suspended in water,

it never falters,

the light of its gaze

traces trembling fingers over scaly walls.

Through the darkness

perfect waves peel back broken glass,

lines like china, smooth in its collapse.

The clouds were disrobing crowds of mythical figures,

transforming to animals before our eyes.

The dragon, undeniable in its profile

against the night sky,

with one blink renders an uneven line

below on the lost coast.

Like a spotlight, it captures the waters receding

all the way back to Fastnet Beacon,

imbued with the spirit of lonesome immigrants

who would pass weeping in the smoke of lives left behind.

Shrouds silhouetted to the glow

while waves shaved glimmers to the shore

like a parting sentiment for a land they’ll see no more.

Sparks may loiter by driftwood fire

and pained strings weave fragile scratching

into the backdrop of pounding surf.

To the rocks that receive it for centuries,

the sea is one part dissolution,

one part creativity,

the place where rivers end emphatically

in the brackish beginnings of the next journey.

The Wound

lava-flow-thom-lodge

When night finally collapses,

dawn is the wound through which the light passes.

As the great moon, in the trajectory of its swoon,

consolidates to day,

witness its fade into listless clouds

braced for a fall

with only a thin gauze

to soak up the remains of its thaw.

Beyond the slumber of the creator

behind the shear walls of the crater,

smoke fills the windswept precipice,

smoldering beneath the retreat of dark,

the sun was the first spark, the most prominent streak

that flashed across the page.

With a pause to peek over the edges,

it’ll teeter like an illuminated feather

spreading under waves of undulating color

blinding the horizon’s climatic ending.

If words parted the veil of memory,

starting a slow descent from its volcanic cavity,

bright lines would burn from an inner landscape like a vision,

over fields of new growth with regeneration.

Through each entity, no construct spared

nor offered immunity,

it clears every border

progressing towards her sea

where sharks of the subconscious,

sensitive to emotional debris,

encircle the tattered remnants of the past

sinking slowly into shadow,

eclipsing the material

with shades of stained glass in eternity.

Like a prism, the light passes through

even the deepest wounds eventually.

 

Symbiosis

DSC00005.

DOMINICK TAKIS:  Symbiosis:  Sicilian, Irish and Other Travel Interpretations with Lichen

Symbiosis:  A close prolonged association between two or more different organisms of different species that may benefit each member. 

When I began to incorporate lichen onto my surfaces as a weight and balance for composition, I was mostly interested in it’s textures and patterns.  Lichen has an ancient and weathered look; it makes me think of civilizations that revered the circle as a symbol of the connection between the harmony of nature and the cosmos. The patterns of the lichen appeared on man-made Dolmens and portal tombs as well as naturally on stone. 

I began to read more about lichen and it’s symbiotic relationship to algae; how they create their own existence, yet are attached.  I found parallels in my own life; the distance that comes from independence, yet still remaining attached to my ancestors and culture. An outcropping of land, a farmhouse, a church or a graveyard may take on greater significance when it contains some familial connection.  This became apparent when traveling through my ancestral Sicily and in my wife’s native Ireland.  Whether drawing inspiration from the Cathedral mosaics in Monreale or through the neolithic stone of Drombeg, this work resonates with a desire to come full circle.  What began as physically traveling back to the land, has left an impression, influencing my work’s narrative.  Whether figuratively or intellectually, I have recognized this symbiotic relationship with my ancestors and culture and how it informs my art.

I recently collaborated with my father (who is a painter and mixed media artist) on this statement for his most recent work that will be shown in the Galatea Gallery in Boston during the month of June 2015

The Opening reception is 6-8Pm on Friday June 5th,  feel free to stop by if you are in the area.

Galatea Gallery   http://galateafineart.com/

Address: 460 Harrison Ave, Boston, MA 02118
Phone:(617) 542-1500

Maneuverings

2 Night marchersharry cundell

A channeling of energy
wind reduced to a simple maneuvering
stream over stone
murmuring
mist over peaks
how the spirit leaks into consciousness
a lush canopied recess
senses drunk on a chorus of Thrush
temporal glimpses of light
festooned on the branches
luminescent
beneath the surface thread
a dream flickering
while art is fed through
this transparent spool
filling the vacancy
all that is required of synchronicity
to fit the edges into a discernible pattern.

Beyond haphazard vanity
there is something outside of me
maneuvering switchbacks
steeped in obscurity
sweat on the brow searching for this purity
but thirsty
creatively empty
a written rehearsal
an elegy
for a muse
hot on the heels
of her truancy
a runaway wandering
leaves me wondering
will our highways connect?
Will they reflect in glacial lakes?
On the road to the sun
these continents divide
while memories reside
like skid marks
on a scarred blacktop.

By boot or by car
passing scenes chart the uncertainty.
Akin to being adrift on a choppy sea
a bobbing figure drawn overboard
barely buoyant
against the recurring dark
currents of thought
that do not stop at the edge
but blur the boundary instead.
Here at the end
considering those long ago dead
they’ll trespass again.
Moonlight drives its keys over the Pali
a bright fleeing to the shadows of trees
ancient struggles maneuver through valleys
materialize
out of the corner of the eyes
on paths wound around stream and fall
as the lunar calendar would allow
a disembodied conch to sound
for that transparent crowd
to march down hillsides
to the rise of the drums
under the guise of clouds
they’ll meet the dawn
with dark streaks from torches drawn
against the western sky
not yet awakened
that glimmer in the mind’s eye
where the imagination maneuvers
through a parallel universe.