The Visitation

c0afc59c29a71821ce3e5b5a2e8e10a5 cezanne

The chimes of the balcony

trickle into the memory

that I was not alone earlier on the cobbles.

Followed by your echoes,

weightless and elegant,

like a flowing fabric

or the shadow of a delicate fan,

you came like a welcome reprieve

from the humidity that knew no wind coming off of the sea.

All of the valleys were choked and stagnant

until your scented form brushed by

like the visitation of pikake

or a rain that knew forests better than concrete.

You are the balm by which old selves begin to retreat,

the relief of twilight after the heat,

all the small glittering fragments,

fleeting as loose fitting rings

as day slips into night.

These moments can accumulate in trees,

with angelic voices and the flight of eucalyptus leaves

from your silver sleeves

it breathes freely by land’s end

and on the terrace with paper and reverence

I’d make amends,

with fingers and pens

longing for useful lines to describe

the legend of your disappearance,

like a sun behind the sea,

I’ll follow in your wake

with letters sealed in ink endlessly.

 

Cover Image “The Kiss of the Muse” by Paul Cezanne

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These Wayward Notes Roamed

Paris-7742sPeering over the edge of the half opened drawer,

you’re afforded a glimpse

through the void

of a former life

whose mind structures and stacked spines

were wayward notes roaming

undefined decades ago

through the oldest quarters of Paris.

What was left unfinished, the letters like lamplight

on the avenues and the pinched parallels of Marais.

What do they say of mystery?

Of being buried alive?

One fist seizes the light

seeking breath to break free of binds,

experience in hindsight

relegated to a page in time,

to squeezing sentences of quintessences,

dissolving these contour lines.

Mystery,  in the wake of transport

what can it take of the forgotten?

That which is no longer mentioned of moments

overwhelming the air of another postponement.

The bell’s chorus wakes the wasted ideal,

an incarnation through atonement

beneath the shell of inaction

reverberation towards something whole.

Mystery, that melancholy departure

pressed into the fibre of indecipherable spaces,

twilighted in notebooks

that grid and translate the travel,

blurring the towns in-between.

Still it remains pliant,

rounding out reason’s edges.

Along the border of the Seign river

it is under a saintly finger

as it dabs the transparent clouds

shot through with light

and by dusk spewing blood.

Mystery is the host

holy enough to reveal no wounds

from the dogmatic wars,

it makes it through without scars

without cracks in wonder

it is a stained window in a cathedral,

a marble current in the Parisien sky.

There’s a subtle door in the repetition of poems

unlocking the divine,

a cadence recognized in dreams and visions

sinking softly into a receptive mind.

Mystery, pulled from the void like a rebirth,

sets a glow over the changes,

encouraging new curves in the regiment

of the sensitive imbued with luminous purpose,

to illustrate and turn further pages.

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All that is Concealed

silhouette

The poem was like a silhouette

that waits for form,

a subtle weight in white sands,

it baits the creator

to express shape,

to conform to something

beyond the illusion of escape.

What is is what will change.

A beach, a set of words,

being released to the storm surge.

There was no scale to measure

the drawn drapes of a blue room receding

only to resume where there is no longer land,

just a moving wall and a disappearing man

dipped in ink

crossed out in dreams,

a rapid eye, a blinking screen

enclosing all thought

in static explosions of surf.

 

Into the drink, the before birth,

all liquid comprehension.

The gesturing wind

was an extension of limbs,

trees and inaccessible forests,

mangrove, black river cypress.

All that is concealed eventually sees light.

All that is consumed within a vast appetite,

the regurgitated words, the message often missed,

the pools beneath falls hold the tears of the mist,

like a lament for all the passing moments.

Clouds draped shadow over the valley walls,

slowly it crawls, this spirit revealed

in shifting hue,

in subtle song,

how it quickly withdrew

but remains long after the form is gone.

Aloof Muse

OLYMPUS DIGITAL CAMERA
They’ll fall on her tracks
with a trailing motion,
a multitude of mice
with a towering devotion
following her invitation
a text, the perfect prescription
to bandage the need for attention.
What did you expect from addiction?
What did you reflect in this room full of mirrors?
Fractured clones
lost in the fog of her gaze,
that vacuous place
of depthless perception.
The game she plays is staged
her costumes change
and yet there is this appeal
to empty form and pretense
which reveal her brilliance
to be the absence of light.
Your endless spins
on this black circle
has yielded to a willingness
to be another needy lapdog
anxious for her entrance
gazing into that darkness
with subway expectancy
waiting underground
for this aloof and impersonal vessel
to enter your unsteady station
and lead you away from yourself.

Female Figure by Cathy Connor

Nothing like being Suspended

textured cloud
Five hours in flight with nothing to unglue.
Five hours suspended in cloud chewed through
by a sky of insight
that would imbue with light
the teary beads of precipitation
hanging in the windows of anticipation.
The illuminated trails yet to arrive,
strapped in and forced to set distractions aside,
cultivating nothing of importance,
nothing blogworthy,
but this will go up anyway
and that is the irony.
As we rise in elevation,
resigned to rapid penetration,
a ragged correspondence
will compensate for being connected to nothing.
Red eyed relationships of leaving
equilibrium
losing nothing if not the illusion of balance,
the luster of newness,
the lust for her turbulence,
memories tripped up on the fading trust
spurring a glance that asks
“Where have you been?”
Exiled on an island,
writing to the infinite and the sensual
within the harsh borders of coral.
The weight of an ocean will hold up this craft
but lend nothing towards its escape.
Below us an endless graph of salt
clay stillness with the occasional squall
breaking the monotony,
a storm surge over the real possibility
of being caught in its momentum.
Rips of wind tilt the within,
pulling at these compartments of recollection,
an internal state like a projection on the horizon,
a spotlight glow
beyond the seascape of shadow
and definition, a prison we’d never find ourselves in.
Excitement and apprehension
towards an infinite well the dark was sucked into.
The ocean veiled in textured clouds
that were like razor reeds
to sharpen the sleep of the waiting deep.
The melancholy of what you leave
meets relief at being in motion again.
Reluctant acceptance courts disarray and distance,
rekindling old strands,
those gypsy strands
that caravan the sinking sands
of just reward
punctuated by renewal’s lonely chords
sliding into the nothing you were descending towards.

Dawn Deconstructs

lkoko head
The sun rises on All Souls Day.
All is quiet against the edges
of its roseate significance.
Eyes pilot dawn
to pull up the drawn shades
in celebration of all that has gone before.
The first light comes like a vagabond
from out of the dark,
like a poetry who’ll correspond
with every emerging rock and stranded moon sliver.
Seen from above, these forms are reflected,
while cloud cover shivers with the alchemy of expectation.
They’ll come like half-formed silhouettes
giving shape to the imagination,
an indentation, a footprint
on the lunar dreamscape of sand.
It is there, with the shoreline accentuated in foam,
growing out of the soft glow of the sea
receding to the strength of morning,
transforming the shadow of mourning
the passing of loved ones
like mist in the hills growing further away.
On this day they are near
to the hue as the sky breaks up the fear,
and the dark contours of thought
are merely detours to steer through,
like a road that hugs a cliff,
unforgiving if you’ll stray
too close to the edge of a petrified flame,
this old and weathered grey shaved
as dawn draws petroglyphs on the walls of the cave
to light the way.

I can hear the heart beating
the sweat beading
the rhythmic breathing
from the climbing
ultimately leading
to ridge stillness.
Beyond a wilderness of ferns
is a sea gaze and I am brought home again.
Plans do not always bring
high winds to stagnant bookends
when becalmed in the middle of the ocean,
what draws me on remains a mystery,
how every step deconstructs what’s within,
dawn is always starting over.

What is Completed?

takis-dominick-equally-damaged

The interpretation of art,

like a rebirth of thought.

Each new piece regenerates

all that came before it.

It venerates the ancestor

of no definitive answer,

instead coloring and giving birth

to an infinite texture.

Contours you’ll resume

by tracing this womb throughout.

It begins by lightly brushing the surface,

as graceful as a lizard’s limbs

over the coarse skin of tree bark.

The canvass stretched taut,

silent and thin as a moth’s wings

deafening when you’re listening

to a certain frequency of rain,

it resonates like a train of thought,

seismic as a teardrop in a pool,

radiating in myriad directions.

Each stroke is an impression,

passing over the surface like an apparition,

tuned into the unseen,

its lingering reception recalling

all those things that stay with you.

Each step is an embryo

for new material to come through

the subconscious,

no longer dormant

but with a slow flow

as if emerging from a volcano,

the vaporous past absorbed into the current,

transformed from within,

to be reborn as new land

calling into question

as you perceive from the edge

“What is ever fully completed?”