All that is Impermanent

The sky holds all that is impermanent

in the eye’s reflection.

Like infinite sand grains

a gaze through the

stained glass illusion

that if anything stays true

to the way we remember it,

it is in the quintessences.

If the pain of loss is

an empty beach,

the pounding surf is

soundtrack to all that is out of reach.

The tranquil intervals that

swim through the inner reef

are carried away

on waves of

galloping horses and white spray.

A distortion to the veneer

that faith makes

surface over

all that is unclear.

The sea ,the source of

both reverence and fear.

A clash of cymbals reveal

a pair of swallows

from the deepest recesses

of symbolic release.

A swoop and a figure eight

to trace memory,

to find a face in the waves

stranded like a moon

still plain in daylight.

Years later it still remains,

smooth as a shell

over the sea

symmetrical

as a drop of water,

a pule lehua landing

on the wild naupaka.

Each thread of cloud

ushers in the change.

Light and shadow,

the interplay of branches,

in the totality a sway

and the cut of a blade

that touches

but does not alter

the horizon or

the immensity of space.

The world has swallowed us

in this place of benevolent delusion.

The elements lending themselves

to the spirit’s intrusion

between moments

layered like dreams

over the creative streams

cascading like sand

into the fissures

of impermanent footprints.

Momentum in the Surrendering

If the essence of travel

is like a bottle

on the floor of a moving bus,

it can encapsulate

a momentum in the surrendering,

how every curve in the road

repositions its

temporary home.

With the imagination as a source

and destinations unknown,

there’s a pause over a glassy surface

like the reflection of pines

from a chair on an empty pier.

See them penitent in this light,

pressed against the sky

and in crystalized moments

the breaks in the clouds

 fall back into place

on glacial lakes.

There are simple rituals of control

in a fractured life,

the boiling kettle

that begets tea

in a green leafed kitchen,

Tai Chi that steeps the internal

in a laundry beneath

the backdrop of mountains.

There is something sublime in

running of hands

over ridgelines and the curves

that follow the currents

of continuous movement.

Like the trains

who by track and tunnel

deconstruct images

that huddle beneath passion, variety.

Through these windows

the inevitable takes shape

and life gives it strength

by the knowledge of the end of the line.

A momentum in the surrendering,

the landscape’s haphazard design.

From a veil of dark,

from whatever meaning

can be divined

from memory’s spark

in a field of fog,

the commingling of shades,

journals and coffee stains,

the night blending into day.

Along these borders,

dreams and swollen rivers

a life blood is

sourced from a common ancestor,

the past is only passing through.

Adapting but never arriving,

embracing but never evading

the ever-present chaos

sewn into the stitches

of a fabric unraveling.

This rite of passage,

the unfinished fragments

of letters and old poems

from a life mostly forgotten,

is shown to have its own momentum

not in the surrendering

but in seizing the moment.

Birth

1.

In the beginning,

born out of the emptiness

of dust and red dirt ,

Kukaniloku appears at 4AM

like an oasis

reinforced through the reverence

of royal births for centuries

the energy of extreme duress

focused and juxtaposed

to the serenity of natural forms.

Breathing in and out

of a circular grove,

the nocturnal breeze

animates the eucalyptus trees

as it always has.

Bearing witness

to what remains conduit,

initiating internally,

the way scent

is directly linked to memory .

The tingling of the fingers,

as it feels for release,

pushing hands with the silence.

The sequence of stones,

smooth and inanimate,

rise from verdant fields.

A woman’s profile,

in the latest stage of hapai,

her dark ridges swollen on the horizon

soon giving birth to the sky.

Deep within the

island’s center,

far from our gaze

comes the cries of strays

feral cats, wandering roosters

those sheltering under tent flaps

sound off and give way

as the last gasp of night

turns into day.

2.

In the recesses of

disassembled words,

from out of the rubble

where art is born

and trauma is transformed,

comes the point of release,

and the gradual changes,

no longer fully dark

but understood by degrees.

In the east

light fills in the cracks

like a paint that is applied

to father sky’s canvas,

the first rays of insight.

From the understaining

comes a vision, manifesting in

patchwork images and plucked lichen

that through the sea mist

stressed photosynthesis

changes color

on maritime gravestones.

It textures the illumination

beneath track lights and

on subterranean walls

the picture becomes clearer ;

a verdant field, a pastoral scene

as you step away.

3.

The Cape

was on the edge of

the distant past.

Absorbed in the fog,

disappearing into the landscape

of wood and bog

wandering like a coyote

past Chatham light at dawn.

Beyond the last clapboard cottage,

our eyes meet

as they did across the fire

in the earthen structure of the Wetu.

Wooden benches

facing each other

and in that space you imagine

all that came before, those

surviving in the face of nature.

There was no separation,

until one day we’re scattered

and the gatherings fewer.

Greater is the distance traveled

to celebrate birthdays and origins,

a mother a grandmother,

the sun which warms us

and from whom all have grown

to appreciate each passing moment.

Each time the light is

a deeper hue of gold

as it begins its descent through windows

until absorbed into the sea

and in our eyes

verdant fields grow darker

and this cycle replenishes endlessly

the sense of collective identity

on the edges and in the spaces

where most things

begin and end.

Bottom image is the painting entitled “Ispica 6” by Dominick Takis Sr.

acrylic oil lichen sprayfoam branch media in silicone caulking on canvas.

To view more of his art please refer to this website:

https://dominicktakis.com/

Milky Way Cove

If all light is born out of darkness

and the land returns to the sea

carving new dimensions

restructuring the boundaries

and the demarcations of time

that starve dreams of their totality.

To search for significance

in emptiness,

embracing the sun,

the unseen fires beneath

salty layers where creativity is born,

where the ancestors and their manifestations

are afloat over a sense of purpose.

Pulling islands out of nothingness,

these dark shapes

dimly aware of climbing

from the shade to another plane,

no longer steering

but yielding to the way the material mingles

with the concealed.

May the wind be guide

daybreak the first breath

to begin again,

transitioning with the tides.

Another wave of the hands and the lowering of oars.

A bend at the waist was the horizon,

the edge of the desk

permeable and stretched

over this limbo, waiting for signs,

for the stars to allign.

Drifting towards the

milky way cove in

an explosion of foam,

immutable forms

scattered in ink

disintegrating into

the awareness

of the furthest reaches of

a palpable silence.

Beneath everything

in a vast stream of consciousness,

you seek direction through undulation,

solitary passages from

a recurring dream.

Upon this craft of words

built for navigation,

you make circles in coastal fog,

piercing like beacons

these poems of the disappearing dark to light.

Each year feeling further from land,

from all the goals and plans.

The emotional resonance from

the past reveals

love and pain as two sides of the same

cloud shadow and raised coral,

seen from above

perceived through that mirror,

where is the boundary

between the light and the sea?

The immovable star?

The guide pulling me further from sleep?

Emptied of what is and isn’t necessary,

a blank sheet daily

for words and becoming complete

before night sweeps in

to begin it all again.

Songbird

What is the measure of mortality

dangling on the end of a string

that hangs in the wind

against the weight of the sky’s

great nothing?

Is it listening for the sound of a songbird

echoing

in the dark and ever so faint?

Like a streak of light,

elusive, stranded

a lock of hair

standing out to show its age

a white bird buoyant

against the expanse of mountains

no longer caged by time.

You can imagine

spirits assembled around

the sunset statues of capital,

wings illuminated,

the waning light

unfurled like a cloth

coiling through banyans,

canopied in song

rooted, acoustic

this world a vibration

descending below

the horizon

like the moon and its ritual glow

I mistook for windows

when obscured by buildings.

I went to open the curtains

of my eyes

to let the sky in

to let a songbird fly out

before vanishing into thin air.

Everything fades

like a dream into the consciously aware,

these luminaries that pass before us,

the moon, the waiting clouds

what can be measured

by the light that is left behind?

The stream is dry where the past drowns

The stream is dry where the past drowns.

From the banks of the periphery

you see the evidence of drought,

sunken souls singing out

from the hollows and the bellows,

from what once bubbled and rolled

into an expanding perception.

From these narrow glimpses

and desperate attempts at control,

the waters flowed, drunk enough to know

the inner workings of letting go.

The fading lines,

there is no one place where this is told.

The valley’s scarred relief

replayed

through sensory expressions

and psychic impressions.

Stepping outside of time

to get a sense of it going by,

marking our places with

what has slipped away.

Beneath darkened leaves

dormant streams rise to a boil.

Dragging with them the bloody soil,

the dislodged once royal stronghold

falling into a mud slide of being sold.

With every year the past drowns a little more.

You’ll see the disappearing crown land,

the desperate hands

clutching the old ways

to hold off and to withstand

the flood tide of change.

Journeying out the way we came,

access diverted, mauka streams defiled,

land tied in military wire.

Under the glass of sprouting cities,

the high rises higher

until far from sight and mind,

the wai ola slips into disorder .

Without its source , the illusion of pure water

crawling over its course

becomes scraped knees on dry beds,

divorced, torn to shreds.

Knowing not which way is up or down,

we find new ways to drown.

In the annals of progress,

under monuments of ownership ,

crushed beneath metal gates

private signs and moral claims,

The crooked lines are what remains.

Upon this land the insatiable hands

have stamped their imprints.

Their words

certify the abuse,

meandering in circles of misuse,

in lies and lonely streams

that flow through

like a tightened noose

of shadow and loose stone.

As the Masters Move

There is a subtle stirring

in the joints and the bones.

Synchronized to the movements

and the simplicity of forms,

we’re a facsimile to the master’s

gently penetrating power,

their moonlight to the matter

witnessed on the surface of the sea.

In the waves, endless and consistent,

sculpting and breaking down

the hardest resistance in nature,

we’re eased into accepting what is transient.

Like cloud shadow to the grounded,

shaping and conforming to this energy,

which then dissipates.

With a trace of the hands the motions endure.

Anticipating change, the body and mind

becomes supple in time,

wound in many lessons, a serpent’s coiling,

a white crane’s patient stride

as it catches a glimmer from the river,

pulled by the ocean’s tide.

On the end of a bow everything is connected.

So in letting go, without aim,

it still finds the center

the dantian

the space without beginning

without end

where all is initiated.

Through the past and present,

in the vestiges of memory,

the wind moves among the lau hala

like a master weaver.

Shaping and speaking

through plaited leaves

of the humbling way it lays the braids,

completing the edges

only to begin again.

The moon, now a silver sliver,

seen through the trees

of shenandoah.

We’re similarly a tiny glimmer in eternity,

seeking peaks, some sense of purity.

There is always another mountain,

each appearing higher in the distance.

Our lives, shaped by the fires of curiosity,

going forward courageously.

Knowing something of kinetic energy,

the mysterious rhyme and binding entity

that pulls all this together.

There is a vague understanding through intuition

that in pursuing something just out of reach,

in descending to the deserted beach,

one journey succumbs to another’s beginning.

There, in the punctuation of snare drums,

investing in sweat, no longer beneath ceilings,

leaving all regrets before what is unlimited,

you’ll meet yourself in the shadow

of those who came before,

cloud figures on the horizon

coming into form

in which we can follow

through this permeable wrinkle in time.

Thoughts and Rain

It begins with the wind

the tickling of chimes

a prelude to the rain

that unwinds

from this fabric of anticipation.

From Kolowalo

the sheets descending

in lost silver sentiments

with no beginning and no ending.

Corresponding thoughts

intervals of rain

a tapa cloth

left out to dry in vain.

Where the smallest drops accumulate

all the things that pass.

Still in your grasp,

yesterday’s papers

soaked through with words

of temporary relief

all the patchwork parched earth

experiences nourishment

though brief and never permanent,

a wet embrace won’t be held for long.

These sentiments,

rivulets of mist

left to describe

what swirls, breaks and disintegrates.

It is worthy to venerate,

in essence

this passage without pursuit,

a luminescence caught in street lamps,

a disappearing moon.

Nothing is fixed in the veritable fog.

When the rain stops

pendulous drops still

cling to wires like

amorphous fingers

plucking stringed instruments,

all the silent notes falling

to the pavement below.

Clouds pass over

the obscured picture.

The memory of an ancestor

drawn out by the scent

of wet bark and ginger,

nameless musk

in the movement of streams

that subterranean rush

of acoustic drains

and neon dusk

dreams stained

wet streets of smeared ink

unintelligible

in windshield silk screens.

The wipers cleared

the glass beads

of surface sweat

and heartbeat

in rhythm with the rain

over and over again.

The sudden deluge,

immersion

and then becoming.

Myths and Whispers

Amidst the white noise and distortion

that lingers behind the transmission,

the shame and coercion,

fear’s formless shape shifting.

The future unknown,

with no bearings,

is solitary, self contained, .

set against a perpetual rock wall of options,

there remains a way.

Through the creation

of something parallel,

something that stands on its own

and often hidden from view.

Just off of the road

beyond the subdivision,

like a temple structure

existing in enigma to dreams.

Illuminating from the deepest soil,

the buried fish hooks of space and time,

a map of stars

to navigate the night and the fears.

I do not share the same

Listening with the eyes

and not the ears.

Despite divisive landscapes

and lack of balance,

the spirit remains

in alignment with motion,

the underlying current

in an endless ocean.

Something beyond the mist

and the mind

myths and whispers

moving the tides,

turning streets to streams,

without resistance it guides

a light surrender

to the will of the outrigger.

To the waves and the words

that bob up for release,

to creativity,

a sturdy craft in the chaos of dis-ease.

The Transposition of the Heron

On the edges of memory

the blue heron feeds

on fragments of time,

breaking away the dark borders

between spirit and the infinite,

the shimmer on the inverse of waters.

Dunes white with illumination

lifting from the lagoon

a glimmering reflection, a transposition.

We’ll find them on the periphery,

blue herons

statuary in moonlit reverence

the gift of our fathers,

each day looking for them

until our eyes meet

as they do now

through every serendipitous appearance

giving form to the connection,

the shape shifting significance

on the edges of memory

the blue heron

brings a message of continuity.