These Wayward Notes Roamed

Paris-7742sPeering over the edge of the half opened drawer,

you’re afforded a glimpse

through the void

of a former life

whose mind structures and stacked spines

were wayward notes roaming

undefined decades ago

through the oldest quarters of Paris.

What was left unfinished, the letters like lamplight

on the avenues and the pinched parallels of Marais.

What do they say of mystery?

Of being buried alive?

One fist seizes the light

seeking breath to break free of binds,

experience in hindsight

relegated to a page in time,

to squeezing sentences of quintessences,

dissolving these contour lines.

Mystery,  in the wake of transport

what can it take of the forgotten?

That which is no longer mentioned of moments

overwhelming the air of another postponement.

The bell’s chorus wakes the wasted ideal,

an incarnation through atonement

beneath the shell of inaction

reverberation towards something whole.

Mystery, that melancholy departure

pressed into the fibre of indecipherable spaces,

twilighted in notebooks

that grid and translate the travel,

blurring the towns in-between.

Still it remains pliant,

rounding out reason’s edges.

Along the border of the Seign river

it is under a saintly finger

as it dabs the transparent clouds

shot through with light

and by dusk spewing blood.

Mystery is the host

holy enough to reveal no wounds

from the dogmatic wars,

it makes it through without scars

without cracks in wonder

it is a stained window in a cathedral,

a marble current in the Parisien sky.

There’s a subtle door in the repetition of poems

unlocking the divine,

a cadence recognized in dreams and visions

sinking softly into a receptive mind.

Mystery, pulled from the void like a rebirth,

sets a glow over the changes,

encouraging new curves in the regiment

of the sensitive imbued with luminous purpose,

to illustrate and turn further pages.

11013877-Hand-puts-globe-into-head-open-mind-drawer-of-silhouette-man-Stock-Vector

 

 

Words to Describe Flames

goddess pele

Arrested in writing

words to describe flames.

A child’s home in Pahoa

starts with a spark

only to succumb to lava fields by dark.

The dry hissing slow progress

of wounds re-opened,

blood readies along the edges

biblical in the silent hedges

of night’s crackling amber

that flares up than cools

like the hardened remains of coals,

who knew it could hold in the heat for so long?

Backtracking over memory’s seared steps,

you get perilously close

to the word that describes it best.

So close you can sense

the full breadth of the fire,

through autohypnosis

it is harnessed by the writer,

like a waking dream

a half state

it baits a tiny voice behind the mind

to mime words

from the lips of its author submerged.

Here, fragments of unfinished poems,

swamp alder and charred wood

become the bones of a story

bivouac  on the periphery

of urban legends that transcend time,

haunting the sense of place,

transfixed on dark roads

behind the village unconscious,

there appears an apparition,

a white lady

who on the island is a manifestation

of the goddess Pele.

The flash of a lighter

brightens the tragedy,

recalling what happened here

from the lips of last whisper

you hear of someone’s daughter

made to swallow fire.

Sinuous details

of cold cases never closed

make themselves known at the crossroads.

There’s a crack in the asphalt

a fork in the path

for the curious to collect light.

There’s a black patch on the contours

for a spark of insight.

A subtle word darts honeycombed

between clouds coalesced by tissue flames,

enlightening for a moment,

you can almost grasp it

though it never remains.

Easter Morning, Luakaha

stream and fall

Through breaks in the canopy,

light is drawn suddenly over a bed of fallen stone.

Moss blankets a threshold

of cascading liquid

glistened in silk visitation

through parted curtains,

dawn fills what’s uncertain of solitude.

A glint in the eyes trained on dark corners,

was the last vestige of night.

Waterfalls write whitely from a distance,

like fingers scratching through the gloom.

You become spontaneous witness

to the surface moved to tears,

a hall of mirrors, a montage of grieving

in the mountain’s visage asking

“Who else goes through this?”

Curtain of rain and disembodied mist

disguising a precipice that seems to suggest

were only a brief process

passing through nature’s indifference.

A dream that’s continuous

confronts barricades of resistance

to the inevitable disintegration.

Through the alchemy of our shared creativity,

birth bookends death

returning to nothing save the breath

that moves the water, fills cracks in the void

with voices amplified,

in the solitude of jungles you’ll have to decide.

Paths splinter with myriad choices,

birds call out with spontaneous rejoices,

its Easter morning

and out of the rebirth and ceiling bouquet

light gifted all who comingle freely

with a new day.

All that is Concealed

silhouette

The poem was like a silhouette

that waits for form,

a subtle weight in white sands,

it baits the creator

to express shape,

to conform to something

beyond the illusion of escape.

What is is what will change.

A beach, a set of words,

being released to the storm surge.

There was no scale to measure

the drawn drapes of a blue room receding

only to resume where there is no longer land,

just a moving wall and a disappearing man

dipped in ink

crossed out in dreams,

a rapid eye, a blinking screen

enclosing all thought

in static explosions of surf.

 

Into the drink, the before birth,

all liquid comprehension.

The gesturing wind

was an extension of limbs,

trees and inaccessible forests,

mangrove, black river cypress.

All that is concealed eventually sees light.

All that is consumed within a vast appetite,

the regurgitated words, the message often missed,

the pools beneath falls hold the tears of the mist,

like a lament for all the passing moments.

Clouds draped shadow over the valley walls,

slowly it crawls, this spirit revealed

in shifting hue,

in subtle song,

how it quickly withdrew

but remains long after the form is gone.

The Thin Veil between Me and Time

moon with dark shadow

The moon has a thin veil to shed

a transparent mask fastened to the skyway.

Its vanity is a temporal emissary

to the distant lampshade it becomes

cool and aloof

its grave aspect, like a faceless woman

turning towards me suddenly,

recalls the Japanese tales of Noppera Bo

and its the sea that receives the glow,

the sorrowful fallout of her vacancy.

Spellbound on the silvery sets,

the wave face wept in isolation,

betraying the dark behind her creation.

She draws in luminous figures,

solitary strays, clouds clinging to light

but without warmth

will not linger for long.

See them cast in dissipating craft

to disembody at the precipice,

the Nuuanu Pali disassembling into a V

where the past is trapped

under the gravity of its vortex,

one colossal hex

on the volcanic continuity of rims.

Yet there is a transcendence

to this slant of light

as it imbues these sublime heights

while I pursue the fine line

between logic and superstitious flight

on the narrow paths

all the moments that won’t last

get between me and time.

Taking another precarious step

to strike a balance between guesses

and surefooted surrender

to the next precious expression

I fall under.

 

Light Seeps through the Illusion

Shafts of Light 2

Through what I’d perceive in the sky’s mirror,

the sea was a ragged mariner

cast on the jagged rocks.

All the debris i would carry with me from the past,

the horizon could no longer forecast

or keep from floating away

from some logical ideal.

The line was a separation,

sea and sky

silky and undefined,

an impenetrable teardrop,

weightless,  impression of color

in a superstitious and darkened course.

With no compass it flows over the sides of the canvass,

like an art that is infinite in its reading,

it depends on the witness.

For all who need to wander and father words,

further imagination, the borders are reinforced

than blurred by travel.

The intuitively known is murdered in bloody sunsets,

red robed in the glow of twilight

thrown across the liquid’s edge,

like a veil from the eyes

the westernmost ledge is

illuminated.

From there it is one step

inward to perfect

or join the drowned by shipwreck.

All the blind and rudderless,

with their mangled craft lodged in the sand

like a sullen crop half buried

in the perennial mystery upon which we stand.

It is a precarious position

when a landscape of fear

offers no sanctuary from

being pulled into a perpetual wasteland.

Not many know the history

beneath a city.

Soiled reflections stare back

from clean facades of steel and glass,

vast monuments of shadow

creating the illusion

that no sweat and blood were shed

during development’s colossal intrusion.

There are moments you see it clearly

as a shaft of light whose

passage holds a thread of jewels,

a glittering sequin to the narrative

where the brightest of all, the moon

becomes a beacon in the darkest canopy

to see me through.

How these Forgotten Seeds take Shape

candles like bodies

Tears become breaks in the illusion,

a continuous procession

of their loosened  impressions

in puddles, on wet sidewalks

where vigil candles

are seared reflections.

Hands clasped

brothers and mothers

share in the mourning

embracing the fragile strings

entwined and loosened like balloons

designed to bring messages beyond

for those who died too young.

Letting go

like hundreds of tiny spores

that lighten the atmosphere and

restore some color to the grey

anger and shades of despair.

Most towns have had their share of darkness,

comb through their history,

find some are enshrined to their tragedy,

a depository for its residual energy

coursing through the tiny webs

that connect lives to one another,

to families and to those who commit murder,

a buried trauma

creates an armor

around what remains unspoken

secrets

buried for decades in empty lots

forgotten and paved over.

In forests, the trees that witnessed evil deeds

weep for those who have fallen,

like tragic leaves, no one hears them,

the wind pulls them along

and steers them into the void.

In abandoned places, the last to remember

thaws these souls frozen in yearbooks.

Those who passed briefly

through towns and halls

become only whispers we barely recall,

wisps of remorse in the collective recourse of memory.

As the years wear on and take their contemporaries,

most become merely  stones in a cemetery,

marble mementos

the chiseled bookends

of a larger story

that would always outlast this body.

Marred by past violence

you must seek it out

beyond the withered ends of its silence.

They are elsewhere, for those who collect

the tattered remnants of what they leave behind.

What sustains wayward energy if not recognition?

Like the flash of a match in a dark corner

gasps a name and they remain.

conscious if never fully whole

these faces stuck

to a telephone pole

where torn missing person signs

are left to weather

the indiscriminate wind.

By staples they are held together

or whatever is left

it is always the eyes that stare back,

branded on my empathy a deep longing

to give them form,

a burning that waxes in words

satiates the urge

to warm the ghostly reverb

that radiates endlessly from one psychic wound.

When the heavy rain finally passes,

who knows where the waters will go?

Who names what they return to?

Like the energy inherent in someone’s essence,

it remains even after it passes,

like the scent of wet ginger in the forgotten places.