Easter Morning, Luakaha

stream and fall

Through breaks in the canopy,

light is drawn suddenly over a bed of fallen stone.

Moss blankets a threshold

of cascading liquid

glistened in silk visitation

through parted curtains,

dawn fills what’s uncertain of solitude.

A glint in the eyes trained on dark corners,

was the last vestige of night.

Waterfalls write whitely from a distance,

like fingers scratching through the gloom.

You become spontaneous witness

to the surface moved to tears,

a hall of mirrors, a montage of grieving

in the mountain’s visage asking

“Who else goes through this?”

Curtain of rain and disembodied mist

disguising a precipice that seems to suggest

were only a brief process

passing through nature’s indifference.

A dream that’s continuous

confronts barricades of resistance

to the inevitable disintegration.

Through the alchemy of our shared creativity,

birth bookends death

returning to nothing save the breath

that moves the water, fills cracks in the void

with voices amplified,

in the solitude of jungles you’ll have to decide.

Paths splinter with myriad choices,

birds call out with spontaneous rejoices,

its Easter morning

and out of the rebirth and ceiling bouquet

light gifted all who comingle freely

with a new day.

All that is Concealed

silhouette

The poem was like a silhouette

that waits for form,

a subtle weight in white sands,

it baits the creator

to express shape,

to conform to something

beyond the illusion of escape.

What is is what will change.

A beach, a set of words,

being released to the storm surge.

There was no scale to measure

the drawn drapes of a blue room receding

only to resume where there is no longer land,

just a moving wall and a disappearing man

dipped in ink

crossed out in dreams,

a rapid eye, a blinking screen

enclosing all thought

in static explosions of surf.

 

Into the drink, the before birth,

all liquid comprehension.

The gesturing wind

was an extension of limbs,

trees and inaccessible forests,

mangrove, black river cypress.

All that is concealed eventually sees light.

All that is consumed within a vast appetite,

the regurgitated words, the message often missed,

the pools beneath falls hold the tears of the mist,

like a lament for all the passing moments.

Clouds draped shadow over the valley walls,

slowly it crawls, this spirit revealed

in shifting hue,

in subtle song,

how it quickly withdrew

but remains long after the form is gone.

The Thin Veil between Me and Time

moon with dark shadow

The moon has a thin veil to shed

a transparent mask fastened to the skyway.

Its vanity is a temporal emissary

to the distant lampshade it becomes

cool and aloof

its grave aspect, like a faceless woman

turning towards me suddenly,

recalls the Japanese tales of Noppera Bo

and its the sea that receives the glow,

the sorrowful fallout of her vacancy.

Spellbound on the silvery sets,

the wave face wept in isolation,

betraying the dark behind her creation.

She draws in luminous figures,

solitary strays, clouds clinging to light

but without warmth

will not linger for long.

See them cast in dissipating craft

to disembody at the precipice,

the Nuuanu Pali disassembling into a V

where the past is trapped

under the gravity of its vortex,

one colossal hex

on the volcanic continuity of rims.

Yet there is a transcendence

to this slant of light

as it imbues these sublime heights

while I pursue the fine line

between logic and superstitious flight

on the narrow paths

all the moments that won’t last

get between me and time.

Taking another precarious step

to strike a balance between guesses

and surefooted surrender

to the next precious expression

I fall under.

 

Light Seeps through the Illusion

Shafts of Light 2

Through what I’d perceive in the sky’s mirror,

the sea was a ragged mariner

cast on the jagged rocks.

All the debris i would carry with me from the past,

the horizon could no longer forecast

or keep from floating away

from some logical ideal.

The line was a separation,

sea and sky

silky and undefined,

an impenetrable teardrop,

weightless,  impression of color

in a superstitious and darkened course.

With no compass it flows over the sides of the canvass,

like an art that is infinite in its reading,

it depends on the witness.

For all who need to wander and father words,

further imagination, the borders are reinforced

than blurred by travel.

The intuitively known is murdered in bloody sunsets,

red robed in the glow of twilight

thrown across the liquid’s edge,

like a veil from the eyes

the westernmost ledge is

illuminated.

From there it is one step

inward to perfect

or join the drowned by shipwreck.

All the blind and rudderless,

with their mangled craft lodged in the sand

like a sullen crop half buried

in the perennial mystery upon which we stand.

It is a precarious position

when a landscape of fear

offers no sanctuary from

being pulled into a perpetual wasteland.

Not many know the history

beneath a city.

Soiled reflections stare back

from clean facades of steel and glass,

vast monuments of shadow

creating the illusion

that no sweat and blood were shed

during development’s colossal intrusion.

There are moments you see it clearly

as a shaft of light whose

passage holds a thread of jewels,

a glittering sequin to the narrative

where the brightest of all, the moon

becomes a beacon in the darkest canopy

to see me through.

How these Forgotten Seeds take Shape

candles like bodies

Tears become breaks in the illusion,

a continuous procession

of their loosened  impressions

in puddles, on wet sidewalks

where vigil candles

are seared reflections.

Hands clasped

brothers and mothers

share in the mourning

embracing the fragile strings

entwined and loosened like balloons

designed to bring messages beyond

for those who died too young.

Letting go

like hundreds of tiny spores

that lighten the atmosphere and

restore some color to the grey

anger and shades of despair.

Most towns have had their share of darkness,

comb through their history,

find some are enshrined to their tragedy,

a depository for its residual energy

coursing through the tiny webs

that connect lives to one another,

to families and to those who commit murder,

a buried trauma

creates an armor

around what remains unspoken

secrets

buried for decades in empty lots

forgotten and paved over.

In forests, the trees that witnessed evil deeds

weep for those who have fallen,

like tragic leaves, no one hears them,

the wind pulls them along

and steers them into the void.

In abandoned places, the last to remember

thaws these souls frozen in yearbooks.

Those who passed briefly

through towns and halls

become only whispers we barely recall,

wisps of remorse in the collective recourse of memory.

As the years wear on and take their contemporaries,

most become merely  stones in a cemetery,

marble mementos

the chiseled bookends

of a larger story

that would always outlast this body.

Marred by past violence

you must seek it out

beyond the withered ends of its silence.

They are elsewhere, for those who collect

the tattered remnants of what they leave behind.

What sustains wayward energy if not recognition?

Like the flash of a match in a dark corner

gasps a name and they remain.

conscious if never fully whole

these faces stuck

to a telephone pole

where torn missing person signs

are left to weather

the indiscriminate wind.

By staples they are held together

or whatever is left

it is always the eyes that stare back,

branded on my empathy a deep longing

to give them form,

a burning that waxes in words

satiates the urge

to warm the ghostly reverb

that radiates endlessly from one psychic wound.

When the heavy rain finally passes,

who knows where the waters will go?

Who names what they return to?

Like the energy inherent in someone’s essence,

it remains even after it passes,

like the scent of wet ginger in the forgotten places.

Thief in the Night

dad's artInspiration comes to the thief in the night,

sneaking slow, dripping down the stairs.

When he no longer sleeps but stares

to the blank spaces where no moon feeds light

the mind receives,

domed and amplified,

canopies now quiet.

No bird enlivened bowers

in these lonely hours

when everything is still,

awaiting the next interval of heavy showers.

A tiny light hangs over the desk of the writer,

restless on elbows

words parched and thoughts that require

a personal drought

to become another bout

with its ticking clock counting down

in pendulous distraction,

hiding substance within a capricious attraction.

Lucidity, before the birthright resents me

for a wavering fascination,

a minute turns to an eternity,

searching out the mundane for that elusive quality.

An El Dorado somewhere in this jungle

tempting explorers to go half mad and in circles

through territory oppressed by heavy shadow.

Here, even an enlightened thought can be sentenced

to the darkest hole without a candle to offer repentance.

Through the shades and the cracks,

where the imagination receives the information it lacks

to keep the mind gathering the early hour patter

in trees that form a clearing,

renewing the ideas that scatter

like leaves in the breeze,

scraping the sheath

so that the gleam can emerge slowly,

deciphering the real from the concrete

where nothing is absorbed

of the rain’s rhythmic drumbeat.

It blows towards me suddenly,

with the orphaned scent of forest moss

something that is shared by all those who are lost.

The mountains, garbed and veiled

crisscross the valley

to ensnare, momentarily,

all the stolen bounty the sea receives

and in that liminal time I am lulled to sleep,

albeit briefly, nodding off, a welcome reprieve,

for the words sometimes come through in dreams,

transcribed from some other hand,

that means to become my own,

grasping at inner sources,

I’m tossed another bone.

 

(Image by Dominick Takis Sr. Acrylic, Oil, Cutout Media, Organic Matter on and behind MRI Film)

http://dominicktakis.com/

 

 

Night Came to Reamore Part 2

maxresdefaultmoore

When night came to Reamore the crickets were out.

The scared and trembling trees

crowded in on a pitch black lane

and if there was a moon

it would break through the gloom

and throw reflections

on the surface of a brook rambling through.

How many steps mingled with the tapping of a staff

on that particular night?

In the weeks leading up to his death,

Moss Moore felt as if he was being watched,

over pints and cards he was known to say to friends;

“He’ll be up there waiting for me”

assuming he meant Foley,

“One of these nights at the crossroads there will be a reckoning”

So, when he would stagger home well after dark,

it was always with a protective stick and a flash lamp

whose searching light would cast a furtive glance

at every meandering shadow,

for every twitch and drop of rain became trailing footsteps.

The last night he was seen alive

leaving Mrs Collins’

with the scent of the hearth stamped into his cloak,

he could be heard tapping his staff like a blind man

and with a lantern that bore into the night thick with fog

and into eternity beyond the bog

that receives our darkest runoff,

Moss would soon decay into his own destiny,

a light growing dim and further away.

Foley was presumed guilty of the deed

but no law could punish him.

The rain came, agent of mystery,

destroying any shred of evidence left.

Still, the town’s eyes rested on him alone,

whether fairly or not, he would bear the blame

and become outcast in his own home.

A final four years that would be met with silence and boycott,

amplified in that tiny village, he tried to remain with dignity

but the strain of being a pariah

would leave his body to desire release,

to ultimately give in to the strain

before he also was laid to rest,

death came by way of heart failure

No more today has been explained

about what happened in Reamore 60 years prior.

Conspiracies abound and Foley’s descendants

maintain his innocence, claiming a convenient scapegoat

for those who wanted Moss Moore out of the way.

Not much of it is said these days,

all that remains

is the scent at night on those darkened lanes.

The evil that had settled into that isolated corner

has grown dormant

and of Moss Moore and Dan Foley

there’s only brick and mortar in ruin

marking their former dwelling,

the source of rumor over one man’s felling,

for those old enough to remember

and re-assemble in their minds

the sinking sun

and the shadow on the lines of this tale,

there’s the shell of an infinite sadness,

a gable and a windowless desolation

that knows only a cold wind.

Rain still falls on these fields

and rushes through the ravines,

time passes and closure grows further away

as the last of those living at the time

recede into memory

like the last gasp of enmity a land can possess.

It seems to proclaim, that if anyone knows anything

they are taking it to their graves.